Dienstag, 16. September 2014

TELEGRAPH Review: TRIO 3 & VIJAY IYER

THE DAILY TELEGRAPH, UK / 10th SEPTEMBER 2014

Trio 3 & Vijay Iyer, Wiring, album review

Trio 3 are joined by Vijay Iyer, that intellectually self-aware pianist, on their new jazz album Wiring

4 out of 5 stars
Trio 3 + Vijay Iyer are Olive Lake, Reggie Workman (below left), Andrew Cyrille and pianist Vijay Iyer
Trio 3 + Vijay Iyer are Olive Lake, Reggie Workman (below left), Andrew Cyrille and pianist Vijay Iyer Photo: www.intaktrec.ch
The incandescent free jazz of late John Coltrane and Albert Ayler lives on, in Trio 3. In recent years, they’ve released a number of albums on the Intakt label with pianists who share their free spirit. On the latest they’re joined by Vijay Iyer, that intellectually self-aware pianist who unites a reverence for the American tradition with memories of his Indian parentage.
Iyer embraces to the visionary aesthetic of the Trio, which means he’s had to rein in his fascination with pattern and number. However it peeps out here and there, particularly in the repeating bass patterns of Slimm, the first movement of the Suite for Travyon (and Thousands More).
You’d expect anger in a piece in memory of the black teenager Travyon Martin, shot by a neighbourhood watchman in a case that’s still unresolved.
In fact it’s movingly restrained, and has a tone of stoic dignity. In Reggie Workman’s Willow Song Iyer often shadows Oliver Lake’s saxophone melody, before spinning off into some free-wheeling idea of his own. The effect is of something so big it casts a soft-edged shadow. As always with this trio, the blues is never far away, and the pull between that earthiness and the music’s freewheeling impulse is fascinating.
Trio 3 & Vijay Iyer: Wiring (Intakt Records)

Donnerstag, 11. September 2014

MULATU ASTATKE on CD-Compilation 'BEYOND ADDIS' (Trikont)






Tracklisting:
01: Akale Wube - Jawa Jawa 04:46
02: The Heliocentrics - Phantom Of The Panther 02:19 03: Imperial Tiger Orchestra - Yefikir Woha Timu 04:50 04: Budos Band - Origin of Man 04:52
05: Shawn Lee's Ping Pong Orchestra - Ethio 03:41
06: Woima Collective - Woima 03:14
07: Les Freres Smith - La Marche Des Smith 05:53
08: Karl Hector & The Malcouns - Girma's Lament 02:54 09: Zafari - Addis Ababa 03:38
10: Whitefield Brothers - Sem Yelesh 03:21
11: Transgressors - Beyond Addis 04:02
12: Tezeta Band - Drop it 04:52
13: The Shaolin Afronauts - The Scarab 04:54
14: Debo Band - Trek 04:59

VINYL-EDITION BONUSTRACK:
15: International Ducks - The Green Cow 03:26 

Freitag, 5. September 2014

THE GUARDIAN: review HARRY SOKAL DEPART

Harry Sokal: Depart Refire CD review – the kind of dynamic jazz that creates converts

(Intakt)

Harry Sokal
Indecently funky … Harry Sokal. Photograph: Francesca Pfeffer
For anyone familiar with Swiss label Intakt’s frequently cutting-edge output, this trio set by Austrian saxophonist Harry Sokal might seem indecently funky. But Sokal, who played in star American trumpeter Art Farmer’s group for 20 years and is a key figure in the Vienna Art Orchestra, plays a very capricious kind of what he describes as “groove music” on the latest from his 30-year-old Depart trio. Seven of the 13 tight pieces here are by Sokal’s longtime bassist, Heiri Känzig, and the prodding bass riff, in 5/8 time, and wah-wah-assisted sax of the opening Talking 58 is typical of the pair’s direct-sounding but seductively knotty music. Chambers’ Room sounds like bebop over a rocking jazz-funk riff, but played on a bowed acoustic bass. Funky Straight has a catchy, twisting melody against Martin Valihora’s slamming drums. The folksy Erzherzog-Johann-Jodler, meanwhile, could almost be a Sonny Rollins feature – but one delivered in electronically generated sax chords. On the gently curling Peace on My Mind, Sokal shows what a subtle player of an unadorned acoustic ballad he can be. It’s the kind of dynamic jazz set that creates converts.